NTB Conferences
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Dan Lungu: About the "communist biddies" nostalgia and other demons
10 February 2013Sunday, February 10, at 11.00, at the NTB's Small Hall, Dan Lungu will hold a conference on the theme About the "communist biddies' " nostalgia and other demons. Ticket price: 16 lei. About the Conference "I do not know if I'm a communist biddy! is my best book, but it certainly had the largest impact from everything I wrote. At no moment did I imagine the fate these lines would have, writing meticulously in my small room from rue Ribera, at the Romanian Greek-Catholic Mission in Paris, where I wrote most of the book. I don't want to talk at this conference about the unpredictable literary success of the novel. Rather, I would tell you about how I began to understand the past, exploring "the communist biddies'" nostalgia and its roots, as well as how working on this book and the European journey undertaken to write it have changed my way of thinking and my literary career. Finally, I would like to relate how men and women, Romanian or foreign, reacted when they bumped into my "communist biddy", as shown by the hundreds of messages received in the last years or the talks with them. It is certain that the "communist biddies'" nostalgia hit much farther than it seems at first glance. How far? Come to NTB and we'll talk! " About Dan Lungu Born in 1969 in Botosani, lecturer at the Department of Sociology, the "Al. I. Cuza" University from Iași. He is one of the most appreciated and most translated writers of the new generation, his books being published in ten languages: French, German, Italian, Spanish, Polish, Slovenian, Hungarian, Bulgarian, Greek and Turkish. He did postdoctoral studies in sociology at the Sorbonne and was editor of the magazine Au Sud de l'Est (Paris). In 1996 he initiated in Iași the literary group Club 8. In 2001 and 2002 he was the editor-in-chief of the cultural magazine Timpul. In 2005 he is one of the Romanian writers invited to "Les belles étrangères", France. At Polirom he published two volumes of short stories, Boys in a gang (2005) and Retail Prose (Second Edition, 2008) and the novels I am a communist biddy! (First edition, 2007, second edition, 2010, third edition, 2011; the book had a film adaptation directed by Stere Gulea, having as protagonists Luminița Gheorghiu, Marian Râlea and Ana Ularu, its French version was nominated twice for the Jean Monnet European Prices, France, 2008), How to forget a woman (first edition, 2009, second edition, 2010, third edition, 2011) and All light bulbs are burned in Hell (2011). Also for Polirom he coordinated, with Radu Pavel Gheo, the collective volume Female Comrades on the Road. The Feminine experience in Communism (2008), and with Lucian Dan Teodorovici - Revolution Street no. 89 (2009). His plays Knife to the bone (Green Hours, Monday Theatre, 2002), Wedding at the ground floor (a reading-show at the Odeon Theatre, 2003; a reading-show at the Luceafărul Theater, Iași, 2006, within the DramatIS Project) and A greedy witch (a children's play, the Luceafărul Theater, Iași, 2008) were staged. The play Happy birthday!, This is what one should say, right? was one of the winners of the new texts Grant at Dramafest, the 2008 edition. He is awarded with the Prize of the Junimea Society for his literary activity for 1993, the Nemira Publishing House's Award for short stories (1997), the USR Award, the Dobrogea branch, for his debut in prose (1999), the Goethe Zentrum Award for promoting originality, representing Club 8 (2001 ), the USR Award, the Iași Branch, for prose (2005), the Iași Municipality Town Hall's "Vasile Pogor" Prize for his literary activity(2007), Cultural Personality of the Year (2009), the USR Award, the Iași Branch, for fiction (2010), the Young Writer's Colloquy Prize for prose (Alba Iulia, 2011). In 2011 the French government awarded him the title of "Chevalier de l'Ordre des Arts et des Lettres" for his contributions to the enrichment of the French cultural heritage. He is a member of the Writers' Union of Romania. Data taken from www.polirom.ro Photo Matei Bejenaru Translated by: Izabella Feher
Prof.Dr. Mircea Beuran – Polytrauma, actuality and attitude
27 January 2013Sunday, January 27, at 11.00, at the NTB’s Small Hall, Prof. Dr. Mircea Beuran will hold a conference on Polytrauma - actuality and attitude. Ticket price: 16 lei. About the conference Physical trauma, part of our everyday life, is the main cause of death in young people and adults. Is it national ignorance? Polytrauma, according to the current definition, is equivalent to the most severe forms, life-threatening and difficult recovery. From this point of view, the complete early diagnosis and the treatment need to be organized in precise and algorithmic concepts. Variations from one country to another are primarily dictated by the financial resources, but also by mentalities that need to be changed. - Prof. Mircea Beuran "Those who ignore history must be prepared to repeat it." - George Santayana About Prof. Dr. Mircea Beuran He is a physician and surgeon, an academic professor at the University of Medicine and Pharmacy "Carol Davila" Bucharest, Chief of Surgery at the Emergency Clinic Hospital Bucharest, President of the Romanian Society of Surgery, the Bucharest branch and of the Society of Emergency Surgery and Traumatology from Romania. He is also a doctor of Medicine since 1999. Since September 2007, he is a professor of surgery at the International School of Surgical Oncology affiliated with IASGO. He was the Health Minister in 2003. His field of competence includes trauma surgery, oncologic surgery, laparoscopic surgery. Published books Handbook of Surgery - Mircea Beuran (as editor) – The Publishing House of the „Carol Davila" University, Bucharest, 2003. Practical works - Mircea Beuran (as editor), The Publishing House of the "Carol Davila" University Bucharest, 2005. He is also the coauthor of numerous books, studies and surgical treatises. The National Order "Star of Romania", with the title of Knight, 2002. Translated by: Izabella Feher
Ioana Pârvulescu, Dan C. Mihăilescu: I.L. Caragiale - actuality and actualization
02 December 2012The National Theatre from Bucharest announces the restart of the series of conferences initiated in 2006, in a debate meant to mark the end of the Caragiale Year. Sunday, 2nd December, at 11.00, at the Small Hall, will take place the conference on the theme I.L. Caragiale: actuality and actualization held by Ioana Pârvulescu and Dan C. Mihăilescu, in a dialogue moderated by Ion Caramitru. Two admirers and authentic connoisseurs of Caragiale's life and work, Ioana Pârvulescu and Dan C. Mihăilescu will show why Caragiale's writing lasts one century after his death and where we are positioned, nowadays, in relation to the great writer who intercepted the essence of the derisory and absurd theatre named Romania. About Ioana Pârvulescu She is an academic lecturer at the Faculty of Letters from Bucharest, where she teaches modern Romanian literature. For 18 years she was an editor at România literară. She initiated and was in charge of the "Night Table Books" collection at Humanitas Publishing House. She is a passionate reader of journals, memoirs, letters and newspaper type documents, from which she recreates lost worlds. She wrote several essay books, reedited several times, among which Return to the Interwar Bucharest (2003), In the Intimacy of the 19th Century (2005), The Book of Questions (2010). The author's concern with Caragiale materialized in two essays: In the Land of Mitică: Seven Times Caragiale (2008) and The World as a Newspaper. The fourth power: Caragiale (2011). The novel Life begins on Friday (2009) was published in 2011 in a Swedish translation as well. The most recent book published by the author about Bucharest is the novel The Future Begins on Monday (2012). About Dan C. Mihăilescu Born in 1953, he is a critic, literary historian, and translator. He is a researcher at the History and Literary Theory Institute "G. Călinescu" (1980 - 2003), a secretary in the editorial board of the Magazine of History and Literary Theory (1983 - 1986), the editor of the supplement Letters, Arts, Ideas of the newspaper Cotidianul (1991 - 1996, 2001 - 2004), and starting from the year 2000 the author of the show The Man who Brings the Book, at ProTV (the Prize of the National Audiovisual Council in 2003). He is also a literary reviewer at the magazines Transilvania, 22, Ziarul de duminică, Jurnalul naţional, Evenimentul zilei. He made his editorial debut in 1982, with the volume Perspectives on Eminescu (the Union of Writers' prize for debut, reedited at Humanitas, 2006), followed by Lucian Blaga's Dramaturgy (1984), Questions of Poetry (1989), Right wing left-handedness (1999), Cut book (2003), Pleasure Writings (2004), Post Communist Romanian Literature (vol. I, 2004, vol. II, 2006, vol. III, 2007), Straightening the Left (2005), Literary Life (vol. I, 2005, vol. II, 2006), Dancing on Ruins (2006), Nicked ideas (2008), About the Man in the Letters. Mihai Eminescu (2009). He made the anthologies I. L. Caragiale about the World, Arts and the Romanian People (2012), I. L. Caragiale. The Most Beautiful Letters (2012) and he is the author of the volume I. L. Caragiale and the Calligraphy of Pleasure (2012). Translated by: Izabella Feher
Mihai Stănescu: 100% Humour
03 June 2012Sunday, 3rd June, at 11.00, at the National Theatre's Amphitheatre Hall, Mihai Stănescu will hold a conference with the theme 100% Humour. The price of a ticket is 23 and 10 lei. About the conference Mihai Stănescu, established as the most redoubtable caricaturist from before '89, when he was interdicted, will close the present season of the National Theatre's Conferences with a discussion about humour, satire and irony, about the subjects at which Romanians still laugh or if jokes are still made nowadays. The artist will offer autographs on 100 Best of Stănescu and Code Orange albums, which he will give to the participants at the conference. Translated by: Izabella Feher MTTLC, Bucharest University
Ion Vianu: Carl Gustav Jung, a thinker of the crossroads
27 May 2012Sunday 27th May, at 11.00, at the National Theatre's Black Box, Ion Vianu will hold the conference entitled Carl Gustav Jung, a thinker of the crossroads. The price of a ticket is 23 or 10 lei. About the conference The conference offers a closer look on the life and work of the great founder of analytical psychology, of the influences which crossed him, of the crossroad character of his work, where science meets religion, agnosticism meets mysticism, tradition meets modernity. The conference examines the extent in which Jung's inheritance could contribute to the salvation of the "profound man", who is opposed to the contemporary flat and superficial individual. Jung could become an even more important reference for the 21st century than he was for the preceding one. About Ion Vianu Psychiatrist, essayist, novelist, born in Bucharest in 1934. The son of Tudor Vianu. Unfinished classical studies. PhD. in medicine, psychiatrist for 40 years: in Romania, where he had academic positions, and in Switzerland, as a practitioner. He emigrated in 1977 and was active, in exile, amongst the movement for human rights and against the political usage of psychiatry, by publishing and working at Radio Free Europe. His publishing activity, in favour of human rights, also continues after the revolution, in Romania. As an essayist he made his debut with the volume Style and Person (1975), being influenced of psychoanalysis but unlisted in a psychoanalytic society. As a memorialist he wrote Remembrances in Dialogue (1994), together with Matei Călinescu. He initiates a cycle of novels with the title The Archive of Treason and Wrath, from which The Notebooks of Ozias (2004) and Vasiliu, Loose Leaves (2006) were published. The project, which will be finished with a third book is meant to be a description of the past century, especially of its second half. Another novel, Paramnesias, with an autobiographical note, was published in 2005. He is a member of the Group for Social Dialogue, senator of the Civic Alliance. In 2009 he publishes Exercises in Sincerity, an account of his civic involvement from the seventies. In 2010 he publishes a new autobiographical novel, Amor Intellectualis, which România literară designated as the Book of the Year 2010; also for this novel, the author received the prize of Excellency Opera omnia offered by Radio Romania Cultural as well as the prize for memoirs of the magazine Observator Cultural, and the Special Prize of the Union of Writers for the year 2010. Also in 2010 the Spanish translation of the novel Vasiliu, Loose Leaves/ Vasiliu, hojas sueltas, made by Ioana Zlotescu, was published. Photo Cristea Enache Translated by: Izabella Feher MTTLC, Bucharest University
Acad. Solomon Marcus: The Need for Entertainment
20 May 2012Sunday 20th May, at 11.00, at the National Theatre's Black Box, the Academician Solomon Marcus will hold a conference with the title The Need for Entertainment. The price for a ticket is 23 or 10 lei. About the conference Everything that stirs the attention, everything that surprises or enchants is entertainment. Sometimes we look for it, other times it takes us by surprise. As soon as people forget their worries, many fall into boredom. The salvation? In entertainment. Potentially, it is everywhere. But how many of us are able to see it? There are too many who look for it in the oblivious, even trivial part of life. Is there an alternative? An incursion in history and a radiography of the present can help us. Acad. Solomon Marcus About Acad. Solomon Marcus He was born on the 1st March 1925, in Bacău. Mathematician, tenured member of the Romanian Academy, consultant professor at the University of Bucharest. Research and didactic activities in mathematical analysis, theoretic computer sciences, linguistics, semiotics, poetics, mathematic applications in natural and social sciences, philosophy and history of science. He published in these areas tens of books in Romanian, English, French, Russian, German, Italian, Spanish, Hungarian, Serbian-Croatian, Czech and Greek and several hundreds of articles in specialty magazines from all the five continents. He is recognized as one of the initiators of mathematical linguistics and mathematical poetics. He is a member in the editorial committees of tens of national and international magazines, among which International Journal of Computer Mathematics, Fundamenta Informaticae, Foundations of Computing and Decision Sciences, Poetics Today. He was a guest professor or held conferences at universities from North and South America, Asia and Oceania. Invited protractor at numerous international scientific meetings. Author of a great number of articles published in cultural magazines, in which he advocates for an integrating attitude, that permits the exchange between all disciplines, going beyond any fragmentary vision and discovering the human fund of knowledge and behavior. On these lines, he proposes a new reading of history of science and, especially, of the history of Romanian mathematics. His books and articles were read by over a thousand authors, among which some of the most respectable representatives of the domains in which he worked. The contextual grammars, which he introduced in 1969, bare his name and were the object of tens of studies, among which is also a book with the title Marcus contextual grammars, published in 1997 at the Dutch publishing house Kluwer. For his pioneering work in mathematical linguistic and mathematical poetics and for other results, he was mentioned in general knowledge encyclopedias like "Brockhaus", "Larousse", "Enciclopedia Einaudi", "Encyclopaedia Universalis", "Great Soviet Encyclopedia", "Enciclopedia Italiana" as well as in mathematics, computer science, cybernetic, linguistic, semiotics, literary theory and global issues of mankind dictionaries and encyclopedias. He formed a great number of disciples, who had him as a PhD. coordinator; some of them gained a worldwide fame and formed disciples of their own. Solomon Marcus is the disciple of two great professors, Miron Nicolescu and Grigore C. Moisil; he has in mind to continue their tradition, as well as that of other great figures of Romanian mathematics. The most recent publications: Mathematics in Romania (2004),CUB Press 22; The Meeting of Extremities (2005), Universal Paradigms (2005), Universal Paradigms II; Starting from a Smile (2006), Universal Paradigms III; The Game (2007), Paralela 45 Publishing House; "Words and languages everywhere", Polimetrica - International Scientific Publisher, Milano. Coordinator and co-author at Grigore C. Moisil And His Followers (2007), The Romanian Academy's Publishing House. Other publications: Mathematical Analysis (in collaboration.), Ed. Didactică şi Pedagogică, vol.1, 1961, 1963, 1966, 1971, 1980; vol.2,1966, 1971,1980; Grammars and Finite Automata, Ed. Academiei Române, 1964; Algebraic Linguistics; Analytical Models, Academic Press, New York and London, 1967; Introduction mathematique a la linguistique structurale, Dunod, Paris, 1967; Introduzione alla linguistica matematica (in collaboration), Casa editrice Riccardo Patron, Bologna, 1970; Mathematische Poetik, Athenaeum Verlag, Frankfurt/Main, 1973; From the Romanian Mathematical Thinking, Ed. Ştiinţifică şi Enciclopedică, 1975; La semiotique formelle du folklore (in collaboration) Klincksieck, Paris, 1978; Contextual ambiguities in natural and in artificial languages (in collaboration.), Communication and Cognition, Ghent, Belgium, vol. 1, 1981, vol.2, 1983; The Paradox, Ed. Albatros, 1984; Time, Ed. Albatros, 1985; Arts and Sciences, Ed. Eminescu, 1986; The Mathematical Shock, Ed. Albatros, 1987; Invention and Discovery, Ed. Cartea Românească, 1989; Language, Logic, Cognition and Communication, Report 9/96, Universitat Rovira i Virgili, Tarragona, Spain, 1996. Translated by: Izabella Feher MTTLC, Bucharest University
Dan Dediu: About travesty in music
06 May 2012Sunday 6th Mai, at 11.00, at the National Theatre's Black Box, Dan Dediu will hold a conference on the theme About travesty in music. Ticket prices: 23 and 10 lei. About the conference Is it possible to imagine the travesty in some other way than metaphorically outside the theater? Probably not. But because theatre meets music in opera, then music can dare to take over the travesty and extend it into the area of sounds. Starting from the idea that the travesty is an unsuitability between what we see and what we hear, Dan Dediu researches its various facades in music. The defining area of this unsuitability is the one of the sexes: to look like a woman and talk like a man or to look like a man and talk like a woman are phenomena that surely create a tensioned waiting for the audience. But if we dig further and ask: if we do not talk but sing, isn't this initial unsuitability a shocking contradiction between how we look and how we sing? Firstly, the travesty is differentiated from disguise and various examples from the opera's tradition are reeled out (the castrated boys from the baroque opera, the travesty of Mozart and Beethoven, and of Richard Strauss). Afterwards a jump is made to the speculation of music with the help of music's definition as theatre of affects, and the role of the two sexes is taken over by the vocal and instrumental music genres. The journey goes on in an unexpected manner, revealing dazzling travesties, methods of concealing the essence, immersions in the double musical memory and many other ideational recesses, which eagerly wait to be brought into light. About Dan Dediu Dan Dediu (1967) studied composition in Bucharest with Ştefan Niculescu and Dan Constantinescu, and in Vienna with Francis Burt. Various creation and research grants (Herder and A. Berg - Vienna, Ircam - Paris, New Europe College- Bucharest, The College of Science - Berlin, Villa Concordia - Bamberg) had a decisive role in his evolution as a composer. More than 130 opuses which cover almost every musical genre: 4 symphonies and other pieces for orchestra (Narcotic Spaces, Ornements, Studii-Motto, The Fear, Frenesia, Mantrana, Grana, Verva), 5 concerts (saxophone, viola, violin, piano), 4 string quartets, chamber music in various bands, piano music, choirs, electronic music, 4 operas (Post-fiction, Münchhausen, Eva!, The Lost Letter). National and International prizes for composition and performance (Vienna, Dresden, Paris, Berlin, Ludwigshafen, 9 prizes from the UCMR, The Romanian Academy's Prize, The Enescu Prize). He also presided various festivals, ensembles and renowned musicians. Published by the Musical Publishing House, Peermusic (Hamburg - New York), Lucian Badian Editions (Ottawa). His works are available on CDs in Romania (The Romanian Radio Broadcasting Company, The Musical Publishing House), Germany (Pro Viva, Cavalli Records, Neos), Australia (Move Records), Holland (NM Extra). He also published two monographies (about Ludovic Feldman and Dan Constantinescu - the latter one together with Valentina Sandu-Dediu), an essay volume (Radicalisation and guerilla), as well as many studies, articles and conferences. Between 2003 and 2006 he made for TVR 88 episodes for the initiation in music series "The adventure of sounds", for which he received the ATF prize for the year 2004, and 12 episodes for the series "Music from an exhibition" (2008 - 2009). He is Officer of the "For Learning" Order and Knight of the "Cultural Merit" Order. He coordinated, as an art director, the Week of New Music Festival (editions from 1999, 2001, 2007 and 2008) and the Profil Festival (editions from 2004 and 2006). Dan Dediu is a composition professor, he was the head of the composition department from the National University of Music from Bucharest, he is the art director of the Profil ensemble, and at present he is the rector of the National University of Music from Bucharest. His music generates energy, clarity of expression, melodic-harmonic assuredness, based on a versatile sense of instrumental forms and colours, as well as on an aesthetic oscillation between playfulness and tragedy. The typical sonority of his compositions is defined by many elements: a capricious staccato, unforeseeable disposition shifts, temporality crossovers, rich associative imagery, conspicuous and memorable melodic motifs, precise psychological definitions realized with only a few sounds. Translated by: Izabella Feher MTTLC, Bucharest University
Acad. Marius Sala: How I became a linguist
22 April 2012Sunday, 22nd April, at 11:00, at the National Theatre's Black Box, Acad. Marius Sala will hold a conference on the theme How I became a linguist. Ticket prices: 23 and 10 lei. About Acad. Marius Sala He was born in Vaşcău, Bihor County. He graduated from the ‘Samuil Vulcan' High School from Beiuş (1943 - 1951) and the Faculty of Philology, Bucharest University (1951 - 1955). From 1953 he works at the Romanian Academy's Institute of Linguistics from Bucharest, at present the ‘Iorgu Iordan - Al. Rosetti' Institute of Linguistics: researcher (1955 - 1962), principal researcher (1962 - 1967), principal researcher I (from 1981), chief of the Romance languages department (1967 - 1995), scientific secretary (1968 - 1990), deputy president (1990 - 1994), president (from 1994). He received his PhD. in Philology in 1967 with the thesis The Phonetics and Phonology of Judeo-Spanish in Bucharest, coordinator acad. Iorgu Iordan. Titular member of the Romanian Academy (2001), corresponding member of the Real Academia Española (1978), of the Instituto Mexicano de Cultura (1981), of the Romanian Academy (1993), of the Academia Nacional de Letras from Uruguay (1994), and of the Academia Peruana de la Lengua (2004). He is Doctor Honoris Causa of the universities from Arad (‘Aurel Vlaicu'), Craiova, Oradea and Timişoara. University professor at the Christian University ‘Dimitrie Cantemir' from Bucharest, he holds classes and seminars at the University from Bucharest (1963-65, 1967-68, 1970, 1972-73, 1995-96), master degree classes at the West University and at the ‘Tibiscus' Institute from Timişoara (1992 - 2004). He was a guest professor at the universities from Heidelberg (1971), Mexico (1981), Cologne (1984), Frankfurt (1992-93), Oviedo (1994), Málaga (1968, 1970, 1978, 1979), Madrid (1978, 1981), Udine (2002). Editor-in-chief of the Romanian Language Dictionary (= the Academy's dictionary), The Romanian Language Etymology Dictionary, The History of the Romanian Language, the Small Dictionary of the Academy 4 vol. Scientific consultant, the initiator and the coordinator of the series Etymologica and The Romanian Language at the Encyclopedic Universe Publishing House from Bucharest. President of the Romanian Academy's Committee for Cultivating the Romanian Language. President of the Latin Union's Bureau from Romania (from 1990). Member in the Project of the Mediterranean Linguistic Atlas (1960), the International Council of Onomastic Sciences (1969), Junta Directiva of the International Hispanic Association (1974 - 1980), The Romance Linguistics Association's Bureau (1974-1980, 1989-2001), Permanent International Committee of Linguists (1987 - 1992), the ALFAL Committee (1985), member of honor in The Romance Linguistics Association's Bureau (2004). Member in the editorial boards of the magazines Linguistic Studies and Researches (secretary of the editorial office (1957 - 1971), adjunct editor-in-chief (from 1971), at present editor-in-chief), Revue roumaine de linguistique (1957-1971 secretary of the editorial office, from 2005 editor-in-chief), The Romanian Language (from 1971, at present editor-in-chief), Bulletin de la Société roumaine de linguistique romane (1971, editor-in-chief). Member in the editorial board of the international magazines Revue de linguistique romane (1974-1980, 1989-2001), Iberoromanica (Tübingen, 1980), Anuario de lingüística hispánica (Valladolid, 1985), Beiträge zur romanischen Philologie (Berlin, 1988), Lexis (Peru, 2002), of the series Patronymica Románica (Trier). Secretary of the executive committee of the 12th International Congress of Linguists (Bucharest, 1967) and of the 12th International Congress of Linguists and Romance Philology (Bucharest, 1968). PhD. coordinator from 1969 (including foreign post-graduate students). He held conferences about linguistics at the universities from Aachen, Berlin, Bochum, Bonn, Erlangen, Freiburg, Giessen, Halle, Heidelberg, Jena, Kiel, Köln, Konstanz, Leipzig, Mainz, Marburg, Munich, Münster, Regensburg, Siegen, Stuttgart, Tübingen (Germany); Alcalá de Henares, Barcelona, Cáceres, Granada, Léon, Madrid, Málaga, Oviedo, Salamanca, Santiago de Compostela, Seville, Valencia, Valladolid, Zaragoza (Spain); Strasbourg, Nancy (France); Zürich (Switzerland); Anvers, Gand, Louvain (Belgium); Lund, Uppsala (Sweden); Helsinki, Turku (Finland); Vienna (Austria); Edinburgh, Manchester, St. Andrews (England); Ann Arbor, Austin, Bloomington, Boston, Chicago, Houston, Ithaca, Madison, New Orleans, New York, Philadelphia, Providence, Urbana (USA); Ottawa, Québec, Toronto (Canada); Mexico; Caracas, Maracaibo, Mérida (Venezuela); Bogotá (Columbia); Quito (Ecuador), Arequipa, Cuzco, Lima, Trujillo (Peru); Montevideo (Uruguay); Havana (Cuba); Jerusalem (Israel); Luxemburg; Braga, Coimbra, Lisboan, Porto (Portugal), Athens, Thessaloniki (Greece), Vršec (Serbia-Montenegro), Roma, Lecce, Cagliari, Napoli, Pisa, L'Aquila, Padua, Venice, Masserata, Florence, Milano. The Romanian Academy's Prize (1971, 1981, 1989), The Prize of the Mexican Academy's Centennial (1975). Organizer of the Romanian Academy's bimonthly conferences The Romanian Language and its Relations with the History and Culture of the Romanians, from 1995 two cycles per year. Communications at several international linguistic congresses: Amsterdam, Montevideo, Nijmegen, Mexico, Bucharest, La Valetta, Santiago de Compostella, Strasbourg, Zürich, Trier, Neuchâtel, Rio de Janeiro, Palermo, Anvers, Jerusalem, Namur, Nancy, Athens, Thessaloniki, Salamanca. Plenum reporter at: I International Congress of American Spanish, San Juan, Puerto Rico (1983); the AEPE Congress - Cambridge (1984); the International Congress of Hispanic Studies, Birmingham (1995). Romanian's coordinator for the PATROM Project. President of the Romanian Pavilion at the EXPO '92 from Seville; general commissar of the Romanian Pavilion at EXPO '98 Lisbon. Books: Contributions to the historic phonetics of the Romanian language, Bucharest, 1970; Estudios sobre el judeo-español de Bucarest, Mexico, 1970; Phonétique et phonologie du judéo-espagnol de Bucarest, Haga, 1971; Contributions à la phonétique historique du roumain, Paris 1976; Le judéo-espagnol, Haga, 1976; El léxico indígena del español de América. Apreciaciones sobre su vitalidad* , Mexico 1977; A small compendium of the world's languages*, Bucharest 1981; El Español de América. I. Léxico*, Bogotá, 1982; Les langues du monde. Petite encyclopédie*, Paris, 1984; Etymology and the Romanian language*, Bucharest 1987; Representative Vocabulary of the Romance Languages*, Bucharest, 1988; El problema de las lenguas en contacto, Mexico, 1988; The encyclopedia of Romance languages, Bucharest, 1989; L'unité des langues romanes, Bucharest, 1996; Languages in contact, Bucharest, 1997; Lenguas en contacto, Madrid, 1998 ; From Latin to Romanian, Bucharest, 1998 ; Introduction in the etymology of the Romanian language, Bucharest, 1999; Du latin au roumain, Bucharest-Paris, 1999; May we introduce the Romanian Language to you ?*, Bucharest 2000; Ratengo kara rumaniago he-rumania goshi, Osaka, 2001; Europe's languages*, Bucharest, 2001; Să facem cunoştinţă cu limba română*, Cluj, 2001; Connaissez-vous le roumain?*, Bucharest, 2001; The encyclopedia of the Romanian language*, Bucharest, 2001; Del latín al rumano, Paris- Bucharest, 2002; Dal latino al romeno, Torino, 2004, From Latin to Romanian, Mississippi, 2005. He published over 400 articles on linguistics in the country and abroad. He collaborated at the Encyclopaedia Britannica and Micropaedia (Britannica) - 27 articles. Translated by: Izabella Feher MTTLC, Bucharest University.
Prof. Dr. Dorin Sarafoleanu: Voice, Language, Communication
25 March 2012Sunday, 25th March, at 11:00, at the National Theatre's Black Box, Prof. Dr. Dorin Sarafolenu will hold a conference with the theme Voice, Language, Communication. Ticket prices: 23 and 10 lei. About the conference The voice is the essential element of interpersonal communication. Four-fifths of communication is made through voice and speaking. Communication stands at the cradle of human and social evolution, from Homo Erectus to the modern societies. The development of the arts, sciences, thought and philosophy is a result of the interpersonal communication. Therefore, humans need communication. "I feel the need to share with others what I know in order not to be lonely" (Octavian Paler) About Prof. Dr. Sarafoleanu University professor, tenured member of the Academy of Medical Sciences. He is the author of 12 specialty monographies, which were published in Romania and abroad, and of a large number of articles, papers and scientific communications held at national and international conventions and conferences. President of some prestigious international societies - Conventus ORL Latina, SFORL (the French Society of Oto-Rhino-Laryngology) - and vice-president of EUFOS (European Federation of Oto-Rhino-Laryngological Societies). He founded the 'Sfânta Maria' ENT Clinique more than 40 years ago and holds several priorities in the modernization of Romanian Otolaryngology: LASER surgery, immunology in the ENT pathology - a prediction agent for laryngeal cancer. His activity was appreciated and awarded with Romanian and international prizes and distinctions. Translated by: Izabella Feher MTTLC, Bucharest University
Mircea Vasilescu: Reading in the Internet Era. What is Lost and what is Gained
11 March 2012Sunday, 11th March, at 11:00, at the National Theatre's Black Box, Mircea Vasilescu will hold a conference on the theme Reading in the Internet Era. What is Lost and what is Gained. Ticket prices: 23 and 10 lei. About the conference For some years, we hear and read that ‘culture is dying' or that ‘people do not read as much as they used to', and the Internet is considered to be one of the culprits. In fact, people read a lot on the Internet. The Internet also makes it possible for us to access books and libraries of which we did not even dream about. What and how do people read? In what way are our reading habits influenced and changed by the new technology? Maybe the problem is not that ‘people read less', but that ‘people read different'. About Mircea Vasilescu Reader and PhD. at the Faculty of Letters from the University of Bucharest, where he teaches cultural journalism and the history of Romanian literature, he is also editor-in-chief at the Dilema veche magazine. He taught at the ‘La Sapienza' University from Rome, at the University from Antwerp and at the University from Vienna. He published, among others, the volumes Dear Reader...Reading, Public and Communication in the Old Romanian Culture (Paralela 45 Publishing house, 2001), Mass-Comedy. Situations and Manners of the Transition Press (Curtea Veche Publishing house, 2001), Your Europe. Round Trip between ‘us' and ‘them' (Polirom Publishing house, 2007), Eurotextes. Le continent qui nous sépare (MetisPresses, Geneva, 2010). He translated Michel Foucault (The History of Madness in the Classical Age, Humanitas Publishing house), François Furet (Interpreting the French Revolution, Humanitas Publishing house), Sergio Romano (Fifty Years of World History, The Publishing house of the Romanian Cultural Foundation). At the Dilema magazine (from 2004, Dilema veche) he had, for a few years, a column about mass-media (‘The global village'), and from 2004 he is in charge of the column ‘Your Europe', dedicated to the problems concerning the European integration. He is a member in Eurozine's editorial board (the European network of cultural magazines, www.eurozine.com). Translated by: Izabella Feher MTTLC, Bucharest University