Current Repertory
Mary Stuart
adaptation by Robert Icke after Friedrich Schiller
Mary Stuart
adaptation by Robert Icke after Friedrich Schiller
Premiere: 12.12.2024
Duration: 2 h 40 min / Pause: Yes
In the case of this performance, the convention is to cast the main parts on the day of each performance. The roles of the two queens - Mary Stuart and Elizabeth I - will be drawn by lot before each performance.
The show is not recommended for children under the age of 16
Exciting, extraordinary, seductive - this is how one could describe the meeting between British playwright Robert Icke and director Andrei Șerban on the stage of Bucharest's National Theater. "Mary Stuart" tells the story of two women who dominate the history of their times: the exiled Queen of Scotland and Elizabeth I, Queen of England. The former imprisoned for the mistake of threatening her cousin's crown, the latter a prisoner of her status as monarch. The one, sensual and passionate, the other, circumspect and desolate. Yet so alike. Two poles of strength, ambition and hubris. Coagulated around the concept of duality, the action of this historical thriller seems drawn from the reality of our present: manipulation, backroom games for political and religious supremacy have written history.
The mystery that still fascinates today: how grace and vigor, beauty and dignity endure in a world where power is the attribute of men. One thing is certain - Power is not inherited by divine grace or by blood, it must be won and preserved by a relentless struggle, otherwise the likelihood of losing it depends on a mere toss of the coin. Heads or tails?!
Translated by Andreea Codrea-Boeriu
Photo Florin Ghioca
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The Studio Hall | 19:00 | Buy tickets |
The Studio Hall | 19:00 | Sold Out |
The Studio Hall | 19:00 | Sold Out |
Mary Stuart: |
Raluca Aprodu Nicoleta Lefter Ofelia Popii |
Elizabeth I: |
Raluca Aprodu Ofelia Popii |
Paulet: | Mihai Călin | Mortimer: |
Florin Aioane Tudor Cucu Dumitrescu Ștefan Mihai |
Lord Burleigh: | Conrad Mericoffer | Lord Talbot: | Marius Bodochi |
The Leicester Count: | Emilian Oprea | Lord Aubespine: | Mihai Calotă |
William Davison: | Ciprian Nicula | Kent / Melvil: | Florin Călbăjos |
"Mary Stuart" is the great historical topical performance of the season, marking the triumphant return of a sovereign of Romanian artistic creation in the first theater of the country after an absence as long as a human life. Andrei Serban is, quite simply, royal, writing, with a venerable, universally recognized grace, yet another important page in the history of the National Theatre in Bucharest.
Horia Ghibutiu, Blog - The art of the present for Andrei Serban in "Mary Stuart" at the NTB
Art has its own delicate laws and its own rules, which it also breaks when necessary - but now the planets had aligned too much for a triumphant return of Andrei Serban on the stage of the National Theater, after more than thirty years. This is the second of Andrei Serban's amazing shows I've seen in 2024 (...) What do we have in the story of Mary Stuart and what do we see on the stage of the Studio Hall at the TNB? But what don't we have.... The struggle for Power, betrayal as common currency at Court, flattery to gain trust, the fierce ambition of parvenu by any means, getting into the Queen's good graces and, on the contrary, falling from grace, double talk and the art of duplicity, rabid jealousy, feminine and masculine, black, abyssal hatred for the adversary who stands as an obstacle in the way, lying in waves and in steps, denunciation, plotting and unmasking the plotters among themselves, brute force summoned without the slightest remorse or diplomatic "finesse", transparent blackmail, direct or veiled threats, religious fanaticism, with the hatred of Catholics for Protestants and Protestants for Catholics, then the hatred of the English for the French and the French for the English, then the ferocity of the fights and disputes between courtiers, between councilors, between the people closest to Queen Elizabeth I.
Daniel Cristea-Enache, Liternet.ro - Triumphant return - Mary Stuart
The premiere of Mary Stuart at the NTB is, therefore, an extraordinary comeback of Andrei Serban on the national stage, an exceptional cultural event that brings together the tradition of classical theater and directorial innovation, being an invitation for today's spectators to reflect on a historical past that, in many ways, continues to reverberate in the present. You go home wondering: Whom are we today hastily "guillotining" for fear of rivalry on the basis of fabricated documents?
Alexandra Ares, Rinocerul Magazine - Andrei Serban electrifies the NTB stage with the national premiere of Mary Stuart by Robert Icke
The director led to the realization of a special relationship of communication between stage and hall, between the authors of the performance and the audience. Andrei Serban contextualizes, paraphrases, in a postmodern register and preserves the themes of classical dramaturgy. The performance, performed by the cast of the Bucharest National Theatre - coordinated by Andrei Serban, assisted by Daniela Dima -, marks a substantialization of the Idea, full of meaning, visualizing it through a spectacular concretization of intuition, so that the reception is equivalent to a revelation.
Madalina Dumitrache, Bel-Esprit.ro - Lionesses in the historical carousel - "Mary Stuart"
Translated by Andreea Codrea-Boeriu