News
NTB at the End of the Season and the Beginning of a New Management Vision
The “I.L. Caragiale” National Theater in Bucharest (NTB) is wrapping up its 2025–2026 theater season. Beyond the artistic excitement, this season marks the beginning of an institutional restructuring, as Ada Hausvater, the winner of the project competition organized by the Ministry of Culture, takes over as artistic director.
The past ten months have been marked by the premieres of the 2025–2026 season: Nothing is by Chance, written and directed by David Schwartz (September 19, 2025), No Magic Pill by Christian O’Reilly, directed by LaurenČiu Rusescu (December 13, 2025), Of People, Doctors, and Rhinoceroses adapted by Claudiu Goga from Arthur Schnitzler, directed by Claudiu Goga (March 13, 2026), The Bride's Time and Her Gown, written and directed by Gavril PÄtru (April 18, 2026), Yen by Anna Jordan, directed by Ciprian ChiricheČ (April 19, 2026) and, last but not least, the premiere of the concert-performance Any Other Candidates?, created by Ada Milea, at the Open-Air Amphitheater (June 24, 2026), an event that kicked off the summer program on the NTB rooftop, with the NTB’s summer season set to take shape soon.
The National Theater of Bucharest’s performance of Mary Stuart by Robert Icke, based on Friedrich Schiller and directed by Andrei Čerban, at the opening of the 7th edition of the Kielce International Theater Festival in Poland, as part of the 13th edition of the prestigious MITEM (Madách International Theater Meeting) in Budapest, and also as part of the National Theater Festival, represent key moments of the season that has just concluded.
NTB’s decision to develop an artistic research component took shape through workshops led by actor RÄzvan Oprea, choreographer Judith State, casting director Domnica Cârciumaru, director Ada Milea, theater scholar Oana BorČ, as well as through a series of staged readings resulting from the Playwriting Workshop coordinated by Mimi BrÄnescu. This special project focused on identifying, developing, and presenting to the public texts by playwrights of the new wave, as well as on testing their works through performance. Finally, the NTB’s openness to the public and its desire to create diverse artistic experiences were reflected in its visual identity projects and in the 15 exhibitions hosted in the theater’s lobbies throughout the season.
This spring brought a breath of fresh air to NTB. Ada Hausvater—NTB’s first full-term manager following an interim period that lasted nearly five years—began her tenure on May 1, 2026, with a mandate dedicated to transforming the NTB into a hub of creative excellence, reaffirming its status as the country’s premier theater and a beacon of European culture and civilization. Ada Hausvater’s recent initiative to appoint director Andrei Čerban as honorary director of the NTB is a clear signal that the doors of NTB are open to excellence, human generosity, and uncompromising performance.
NTB will remain active in the coming period as well: with the opening, on September 5, 2026, of the new season—a season currently being organized — the National Theater of Bucharest aims to create a rich theatrical program for its audience, supported by a series of new cultural and artistic initiatives and memorable encounters with leading figures in Romanian and international theater.
Translated by Andreea Codrea-Boeriu