News
Buy Nothing Day Premiere
A new stage play from the young team of 9G Program held by The National Theater of Bucharest entered the repertory of the theater. The ProDrama Association and the “I. L. Caragiale” National Theater invite you on Wednesday, 5 November 2014, 20:00 hours, to “Buy Nothing Day” by Kim Atle Hansen, directed by Horia Suru, in The Small Hall of the Theater.
“Buy Nothing Day” is a fresh show which feels the young generation’s pulse in a brave and witting manner. Loaded with vital messages from the present-day social, political and economical spheres, “Buy Nothing Day” tells us about the change that emerges from every individual. The play makes a call to humor (without drifting into sarcasm), activism (with no suggestion of extremism) and to contemporary, scintillating artistic solutions in terms of sound, set and design.
Petra (Ilinca Hărnuț) and Andrei (Rolando Matsangos) want to draw attention over consumerism and the exploitation of Third Word workers. Kati (Cristina Găvruș) and Irina (Olivia Alexandra Niță) want to become stars by singing at a “Save the Planet” event. Toma (Andrei Morariu) and Petru (Emil Măndănac) want to protest to improve the living conditions from the nursing home they work at. Ana (Simona Cuciurianu) wants to be more than just a clothes shop assistant. Their paths meet at the mall. This visit will change their lives.
Kim Atle Hansen is a Norwegian play writer, actor and activist, author of several plays about problems of today’s society. He works at Norske Theater, and “Buy Nothing Day” is his most known play, set so far in the UK, Brazil, Italy, The USA and Russia. “This text is destined rather to a performative convention than a type of emotionally motivated game”
“A lot of people have protested in the streets the last years. The economical crisis and the austerity measures, Roşia Montană and Raed Arafat have taken to the streets thousands of Romanians, old and young, hipsters and white collars, leftists and rightists.
It is essential to understand how important the right to freedom of speech and protest is in a democratic society. I can’t highlight enough this aspect. I think it’s equally important, though, to push people towards information and tolerance. Psychotic derailments such as armed attacks in schools, malls and other public spaces are due to lack of education and unilateral fierceness.
I am very pleased to see that, after the first 5 representations at The National Theater, the reactions have been positive and the message of the play reaches the audience.”
This is a stage play about young people, social and political implication, naivety and principles. What kind of consequences could such implication have and what risks are we ready to take?
Translated by: Podaru Gina
MTTLC, University of Bucharest







